Video of Poet Scarlett Sabet at Listowel Writers’ Week 2018.
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One year ago today Poet Scarlett Sabet performed at Listowel Writers’ Week in Listowel, Ireland.
See Video here
A cute photo edit of Poet Scarlett and her boyfriend, Led Zeppelin Founder, Jimmy Page from that visit.
Photo: ki_ki__0 Instagram
Poet Scarlett Sabet and her boyfriend, Led Zeppelin Founder, Jimmy Page at Listowel Writers’ Week 2018 at 48 seconds, 1:05
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Poet Scarlett Sabet adds color to Jimmy Page’s World!
Scarlett Sabet, with her boyfriend Led Zeppelin Founder Jimmy Page, in Ireland for Listowel Writers’ Week 2018.
Photos: Listowel Writers Week Twitter, Facebook
Video footage of Poet Scarlett Sabet and her boyfriend Led Zeppelin Founder Jimmy Page at Listowel Writers’ Week 2018 this June.
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Look at: 1:26, 1:46, 2:45
Beautiful photo of Poet Scarlett Sabet in Listowel, Ireland for Listowel Writers’ Week-June 2018.
Look in Archive for multiple postings on this Poetry Reading.
Photo: Ger Holland Photography
Poet Scarlett Sabet, with her boyfriend Led Zeppelin Founder Jimmy Page, at Listowel Writers’ Week 2018.
Photo: Listowel Writers’ Week Twitter
Video of Poet Scarlett Sabet and her boyfriend Jimmy Page arriving at Listowel Writers’ Week 2018 in Ireland earlier this month.
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Scarlett performing here
Poet Scarlett Sabet was chosen by 2018 Listowel Writers’ Week chairperson Liz Dunn as one of her festival picks.
Ms Dunn said:
“For the poetry fans amongst us, we have the amazing performance poet Scarlett Sabet”
My 2018 Festival Picks – Chairperson Liz Dunn
Poet Scarlett will be performing at the festival on June 2, 2018.
Tickets here
Photo: Listowel Writers’ Week
Poet Scarlett Sabet, with her boyfriend Led Zeppelin Founder Jimmy Page, in Ireland for the Listowel Writers’ Week 2018.
Photo: Listowel Arms Hotel Instagram
Poet Scarlett Sabet’s partner, Led Zeppelin Founder, Jimmy Page had an article about artificial intelligence in The Times on March 1, 2025. Jimmy is a very private man so you know this is close to his heart.
In the disciplined studios of the early 1960s London, I honed my craft as a session musician, lending my guitar to a myriad of artists across genres. Those countless hours, often three three-hour sessions a day, were more than just work; they were a crucible of creativity, collaboration, and ceaseless inspiration.
I was required to create and conjure riffs and lyrical figures immediately without slowing down the momentum of the work being recorded with the other musicians and the artist.
This journey from the anonymity of session work to the global stages with Led Zeppelin was not a path paved by algorithms or data sets. It was a voyage marked by spontaneous improvisation and the unquantifiable spark of human ingenuity. The alchemy that transformed a unique riff into an anthem was etched into the collective soul of the band — a synergy that no machine can emulate.
Today, as artificial intelligence seeks to mimic and monetise creativity, we stand at a crossroads. AI-generated art and music, synthesised from existing human works, lack the visceral essence that comes from lived experience. They are but hollow echoes, devoid of the struggles, triumphs, and soul that define true artistry.
Moreover, the ethical implications are profound. When AI scrapes the vast tapestry of human creativity to generate content, it often does so without consent, attribution, or compensation. This is not innovation; it’s exploitation.
If, during my session days, someone had taken my riffs without acknowledgment or payment, it would have been deemed theft. The same standard must apply to AI.
We must champion policies that protect artists, ensuring that their work isn’t siphoned off into the void of machine learning without due regard. Let us celebrate and preserve the human touch in art — the imperfections, the emotions, the stories behind every note and cadence.
In defending the sanctity of human creativity against the encroachment of AI, we safeguard not just the rights of artists, but the very soul of our cultural heritage.
Yet, today, the UK government is proposing changes that would strip creators of this protection. Under the Data (Use and Access) Bill, AI companies would be allowed to take works, past and future, and use them as training data without consent or payment. These models digest vast amounts of human-created content and then generate imitations, bypassing the rights of the original creators.
The government’s proposed “opt-out” system — the idea that artists will always be in a position to preemptively reserve their rights — is a sham. It is technically impossible for artists to opt out. The government’s consultation ends today, but we should be clear: this is not regulation; it is a free pass for AI to exploit creativity without consequence. We must push for legislation that ensures AI cannot monetise human creativity without explicit consent and fair compensation. The government’s preferred option in its current consultation does not do that.
Music is not a product of data. It is an evocation, a defiance of logic, a collision of time and place and soul. If we allow AI to co-opt the heart of human creativity, we are not ushering in a bold new era — we are signing the death warrant of originality itself.
The choice is ours. Will we let the machines take the stage, or will we fight for the irreplaceable magic of human artistry?
The article was copied from Led Zep News, check them out.
Photo: Jimmy Page Instagram